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<?xml-stylesheet type="text/xsl" href="http://www.communities.hp.com/online/utility/FeedStylesheets/rss.xsl" media="screen"?><rss version="2.0" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:slash="http://purl.org/rss/1.0/modules/slash/" xmlns:wfw="http://wellformedweb.org/CommentAPI/"><channel><title>JPEG or RAW: Which Should You Choose?</title><link>http://www.communities.hp.com/online/blogs/graphicarts/archive/2007/07/24/HPPost4010.aspx</link><description>By David Saffir Decisions made during image capture can have a significant impact on post-production costs and the quality of the finished prints. Two of the most important decisions we make during image capture are which file format and color space to</description><dc:language>en</dc:language><generator>CommunityServer 2008.5 SP1 (Build: 31106.3070)</generator><item><title>re: JPEG or RAW: Which Should You Choose?</title><link>http://www.communities.hp.com/online/blogs/graphicarts/archive/2007/07/24/HPPost4010.aspx#84207</link><pubDate>Fri, 08 Aug 2008 20:21:14 GMT</pubDate><guid isPermaLink="false">964d1d0f-bea0-4201-a2aa-8aa369a35a46:84207</guid><dc:creator>Mike</dc:creator><description>&lt;p&gt;&amp;quot;16-bit file RAW file has over 65,000 tones per channel. In color editing and in the final print, this can make a huge difference in the appearance of intense colors, such as open skies.&amp;quot;&lt;/p&gt;
&lt;p&gt;No, it can&amp;#39;t. &amp;nbsp;First of all, it is widely disputed on whether the human eye can actually perceive the difference between an 8-bit and a 16-bit file. &amp;nbsp;Second, I have printed comparisons at 8X12 of an in-camera basic jpeg and a NEF file from a D200 (shot in raw+jpeg). &amp;nbsp;I did some levels in CS3 prior to printing. &amp;nbsp;I showed 3 people, including one of Canada&amp;#39;s top landscape and nature photographers (someone who has been featured in National Graphic) and not even he could see the difference. &amp;nbsp;Yes, there are visible differences on your monitor but that is due to looking at a 96 ppi screen.&lt;/p&gt;
&lt;p&gt;&amp;quot;sRGB is not ideal for printing&amp;quot;&lt;/p&gt;
&lt;p&gt;This kind of misinformation does a disservice to all photographers, especially newbies. &amp;nbsp;sRGB is excellent for printing and this is why most minilabs and places like Costco use it. &amp;nbsp;Adobe 1998 is suitable for sending to publications because it&amp;#39;s space resembles CMYK more than sRGB but that does not mean it&amp;#39;s superior. &amp;nbsp;&lt;/p&gt;
&lt;div style="clear:both;"&gt;&lt;/div&gt;&lt;img src="http://www.communities.hp.com/online/aggbug.aspx?PostID=84207" width="1" height="1"&gt;</description></item><item><title>Re: JPEG or RAW: Which Should You Choose?</title><link>http://www.communities.hp.com/online/blogs/graphicarts/archive/2007/07/24/HPPost4010.aspx#78948</link><pubDate>Thu, 16 Aug 2007 21:21:00 GMT</pubDate><guid isPermaLink="false">964d1d0f-bea0-4201-a2aa-8aa369a35a46:78948</guid><dc:creator>jnbussell</dc:creator><description>I prefer JPEG&lt;img src="http://www.communities.hp.com/online/aggbug.aspx?PostID=78948" width="1" height="1"&gt;</description></item></channel></rss>