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<?xml-stylesheet type="text/xsl" href="http://www.communities.hp.com/online/utility/FeedStylesheets/rss.xsl" media="screen"?><rss version="2.0" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:slash="http://purl.org/rss/1.0/modules/slash/" xmlns:wfw="http://wellformedweb.org/CommentAPI/"><channel><title>Fine-Art Reproduction Part 2: What You Need to Get Started</title><link>http://www.communities.hp.com/online/blogs/graphicarts/archive/2008/07/25/fine-art-reproduction-part-2-what-you-need-to-get-started.aspx</link><description>By David Saffir Professional photographers are uniquely qualified to get into the fine-art-reproduction business because the element most critical to success is a quality image capture. Photographers not only have a discerning eye for color and detail</description><dc:language>en</dc:language><generator>CommunityServer 2008.5 SP1 (Build: 31106.3070)</generator><item><title>re: Fine-Art Reproduction Part 2: What You Need to Get Started</title><link>http://www.communities.hp.com/online/blogs/graphicarts/archive/2008/07/25/fine-art-reproduction-part-2-what-you-need-to-get-started.aspx#85882</link><pubDate>Wed, 01 Oct 2008 18:44:10 GMT</pubDate><guid isPermaLink="false">964d1d0f-bea0-4201-a2aa-8aa369a35a46:85882</guid><dc:creator>Catinka Knoth</dc:creator><description>&lt;p&gt;Thank you for your informative article. I&amp;#39;ve just linked to it in a brief blogpost on photographing and reproducing artwork in response to an inquiry I&amp;#39;d received. &lt;/p&gt;
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