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<?xml-stylesheet type="text/xsl" href="http://www.communities.hp.com/online/utility/FeedStylesheets/rss.xsl" media="screen"?><rss version="2.0" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:slash="http://purl.org/rss/1.0/modules/slash/" xmlns:wfw="http://wellformedweb.org/CommentAPI/"><channel><title>Fine Art Reproduction Part 3: Getting and Keeping Customers</title><link>http://www.communities.hp.com/online/blogs/graphicarts/archive/2008/08/11/fine-art-reproduction-part-3-getting-and-keeping-customers.aspx</link><description>By David Saffir Now that we’ve discussed why fine-art reproduction is a good business for photographers ( Part 1 ) and what types of equipment you need ( Part 2 ), let’s talk about how to market your business. I’ve found that most artists producing flat</description><dc:language>en</dc:language><generator>CommunityServer 2008.5 SP1 (Build: 31106.3070)</generator><item><title>re: Fine Art Reproduction Part 3: Getting and Keeping Customers</title><link>http://www.communities.hp.com/online/blogs/graphicarts/archive/2008/08/11/fine-art-reproduction-part-3-getting-and-keeping-customers.aspx#88513</link><pubDate>Sat, 21 Mar 2009 23:33:06 GMT</pubDate><guid isPermaLink="false">964d1d0f-bea0-4201-a2aa-8aa369a35a46:88513</guid><dc:creator>Maribel</dc:creator><description>&lt;p&gt;Great Work Thanks!&lt;/p&gt;&lt;div style="clear:both;"&gt;&lt;/div&gt;&lt;img src="http://www.communities.hp.com/online/aggbug.aspx?PostID=88513" width="1" height="1"&gt;</description></item></channel></rss>